A new page, a clean slate, something pure and white; intangible, unimaginable, unexplainable—for how can one express it when once we posses it, it is corrupted? Once we get our new immaculate sheet, we write on it, leaving our mark. It can be a thing of beauty, a depiction of cruelty, a picture of pain. Yet the mark is made and when we are through, we want a new one.
Funny, that.
Why flip the page at all? There is plenty of room, over there. In the top right corner, down on the left side. There is beauty in the chaos, each image coming together to form something, with meaning, without meaning, it matters naught.
And so you tell me that there is no more room, that you could not possibly make another stroke. Why are you afraid to draw over what is already there? It would be ugly, you say. Who defines ugly? It is beautiful.
At last, when you have nothing left but blackness, be at peace. That blackness is pure as well, the opposite of the long forgotten white, but pure all the same. How deep the darkness, how far the abyss. You could fall into it, that abyss, and drift—for that would be all you would know. But, if you feel your tale has not been told, your fable unfinished, you may want a new page.
No need.
Scrawl in white.